Brent House
selected poems
brent house
Augur of
Apogee & Perigee
A son’s snare falls on the moon in perigee
loud enough to startle an impœnitent sinner from resolute woods
I draw heads & again after hearts of pure proof nestled in glass as prayers
in thickets of tall grass as drops on a stolon
as sounds of a membrane stretched across a hollow hemisphere
struck w/ repulsion loud enough to silence sounds of ennui & anomie
so I hear the full timbre of a mother’s child near & lifted
as smoke rises w/ a tincture of darkness want & lack he fords
faith & doubt
creeds of certainty.
I sumpter between father & son a man of memory & a boy of flesh
& I fail both when a son’s line carries a resonance of light in apogee
as waters thirst
a prohibition
round my track is a coiled wire tight against bright sounds of those battered by mallets under a canopy of hickory oak & pine.
Here I gain warmth from newmade waters of life
where my daddy just let me go to still & sit
to watch & learn while he raised his monuments
& stroked fire w/ flams & taps & drags w/ a craftsman’s pride
he distilled night in the quiet voice of itinerant preachers
& stroked his stubble as a scholar under a warm tallit.
I listened as one subject to law
as a dark waned stone reflected poor light back to a shallow watchet
clear as a creed recited & yet not held by precious scars
by flows of amber broken by the gauger
while I remain young & raw
primitive as sacred rituals & a moon of unbegun shine.
brent house
excerpts from Augur of Remnants
1.
Those people I would ask about the past
pass
as our heartwood houses level to foundations
& our planed table & hand-lathed bed—sold.
I stare past the screen at dusk & mosquitoes
draw to the forshape of my breath.
I just can’t see how we’re better off.
Those people—seers—of the fallen straw
& spilled cornmeal
tossed embers & termites
divined from darkness & its remnants.
Wakened by a thunderstorm
strong as flights of chords to a false moon
I lay in the pole-lofted voices of migrants
as a string of prophecies
swarm w/ ecstasy & clairvoyance
& flights of diurnal loss. In ruderal light our hill country purified the sound of lonesomeness
from high-born & benevolent brothers—
the sound of wholesomeness
perhaps? My newborn son
this legend ends before you are born.
3.
Our fathers sawyers of longleafs cut by old moons
our fathers their coat cuffs hemmed w/ hide leather
our fathers birthed as paternal orphans worked can to cain’t.
They bore a shotgun a lastborn son & fled a burning house. So
our fathers—come as deity & walk yearlong in forest & fields.
Fill troughs w/ sunturned faith & plant w/ your eyes to stars
bode our salvation w/ broken vessels & fragile organs
holy as acetate records—I’m not coming home.
Any more. In cold shadows
the lonesome tears of a teetotal man & scales of breath
sound in atria & ventricle as a nightjar’s diastolic pulse & backflow
a midnight train’s high whistle opens to a sorrow’s pass.
Son—as the overwritten sky of morning
lights up—I wonder.
5.
My newborn son—so aimless I wandered from hymns & gospel revivals
& I heard an altar call.
I saw fireflies at the treeline—on the first day of summer! I saw the light!
They ain’t all gone—
though our pinewoods hewn to root branches cut & bole stripped
& silence on our land.
Son—you grown so strong all these years after a brokenhearted birth
& I ain’t surprised—
newborn & drawn from broad-boned & thick-blooded stock & still
mine—
the hand-shared time & note-shaped harmonies of sacred & primitive
truth. I could cry
as a whippoorwill on summer nights who shoves the nestling aside
head over heels
for apartness & wastrel days
& blue-hearted songs from a church about a mile away. I rhapsodize
about a father & a country I near forgot— & resurrection.
7.
My son—our fathers. They lifted the ruins of a revival near the alcorns
& the stately oak
& laid footings of brick deep into alluviums left before the floods of thirteen
pent
by a constant levee—a vague relief against the humid tiers of our covenant
broken on this gloamskin.
9.
How deep our loess thickest near the rivers & thinner away. Moreover—
a wry man presides over elemental laws of sound & sings the most gravid
pines beautifully exquisite & predictable as the strike of a timber rattler.
yes—w/ sublime succinctness! A linear body crosses a distance to a source.
Sounds as particles pillars & letters.
His breath an unpredictable vortex or eddy of flowing water. We believed.
yet, always just unencumbered wind.
So in a current of blue-boned pain. & lying in a wilderness.
Minden of the fire & he could be consumed in sorrow. His succession
through the cast. O—hayride & jamboree! His roots in a cradle of stars
his reveled past. & revered Jehovah! My son—we are born anew!
Rejoice on the tonewoods & bridges & also our frets.
In unison—our blood sings past to the dolor of hills.
brent house
Augur of Migration
brent house
Augur of Real Wilderness
The cone opens / to release its seed & a thin laminate gathers
as wilderness rests beyond / as sons born from guilt
from a same profligate land
our richest & blackest mold
brother well known your ruinous flow of blood won’t even harden pine
& you mourn / when I could come home
your elegiac voice. The real wilderness
rambled as atheroma second growth & helical seed … as scarce
as commensals of our gopher tortoises
city-bred brothers settle on these roots
& hornswoggle.
Brother list to the three stands: timber is a forest / not a wilderness
timber the lastborn hold of a rotten sword
timber shrunken remnant of a green cord
for land remains & logs … do not necessarily mean progress.
I have counted seed—one hundred and eighty-three—dropped
from the cone & a flood of abundance
turns to rapids / & loss loss & lost to after-years. Your peaveys & pike
poles roll
behind the rocks & shoals until a big run opens the sheer boom
& your labor floats
down &
disappears
past a riverbend.
Even as you pile a good lot of wood on sticks & dry boards. Brother
you own this mill
but you walk on a surface horizon lost to clay / & a summer rain &
land
made barren
from scarification.
Brother the whole face of our state is such a scene of desolation
& so few acres of pine
& so many acres not fit for cultivation so / brother: timber is a plantation
not a wilderness.
Brent House is the author of The Wingtip Prophecy (April Gloaming, 2023) and a contributing editor for The Tusculum Review. His poems have appeared in journals such as Colorado Review, Denver Quarterly, Third Coast, and Kenyon Review.