douglas cole

sunday on a whim

douglas cole

Sunday on a Whim

Squirrels are eating the insulation.
The back door is wide open—
but the black cloud has passed over.
Why so sullen, face on the wall?
You need a strategy to get from here
to the car. It’s quiet now, but any moment
the bullets will be flying.

I slice a sliver of self and say,
you go live the mid-century modern
with pool and sound view
and more rooms than you’ll ever need,
while I eat roots and walk under palms
head exploding like a dandelion seed.

Look it up, you’ll find nothing
on the filmmaker, one movie out,
a solitary prayer that won’t burn down,
but watery images drift into your dream
even when you’re driving home
under an animated fishbone sky.

At least I call it home: beach shack lean-to,
all I need is a little fire, night music,
and the hieroglyphics of the waves—
sun door I slide through to bring you
these glimpses, these bits of otherworld
eyes like a gallery vision in a gum wall
you can put your concentration to and see.

Sunset Cliffs to Golden Gardens—
ragged fractal edge, a thing you feel
and hear—no wonder this looks familiar:
shaggy trees, birds, hillside sloughing
water to the slough, deck top rolling
mist assuming another day,
parting like a game show curtain
revealing what we’ve won.

Douglas Cole has published six poetry collections and the novel The White Field, winner of the American Fiction Award. His work has appeared in journals such as Beloit Poetry, Fiction International, Valpariaso, The Gallway Review, and Two Hawks Quarterly; as well as anthologies such as Bully Anthology (Hopewell), Bindweed Anthology, and Work (Unleash Press). He contributes a regular column called “Trading Fours” to the magazine, Jerry Jazz Musician; articles and interviews in Mythaxis; and editorial selections of American writers for Blue Citadel, a section of Read Carpet, a journal of international writing produced in Columbia. In addition to the American Fiction Award, his screenplay of The White Field won Best Unproduced Screenplay award in the Elegant Film Festival, and he has been awarded the Leslie Hunt Memorial prize in poetry, the Best of Poetry Award from Clapboard House, First Prize in the “Picture Worth 500 Words” from Tattoo Highway, and the Editors’ Choice Award in fiction by RiverSedge. He has been nominated three times for a Pushcart and seven times for Best of the Net. He lives and teaches in Seattle, Washington. His website is https://douglastcole.com/.